Frida Kahlo. The Broken Column, 1944.

Dear Coke Talk: On greatness and killing your ego.

dearcoketalk:

Dear Coquette,

How do I accept that I won’t ever be great or outstanding? I always thought I had talent, and maybe I’m not bad, but a great many people are far better. I can’t stop thinking this and it’s causing me great anxiety.


Kill your ego, because nothing you do will ever matter….

I think about this multiple times during the day. Everyday. Sometimes I dream about it and wake up with my breath caught in my throat as though the mere thought of it was suffocating me. My ego is trying to kill me. She wants me to be painfully successful, excruciatingly great but also terribly unhappy and unfulfilled. I indulge her because I’m afraid of what it will be like without her coaxing me awake with thoughts of all the great things that she thinks I’m capable of doing, of luring me to sleep with dreams of multi-million dollar art works sold, deals made, interviews set, dinner parties with Jeffrey Deitch, Walton Ford. She’s been with me since the beginning and she’s saved me more than once. She was my reason to live, to wake up, to try hard. She told me that I was different than everyone else, different DNA, different voice, different fingernails and kneecaps. She told me that I would be greater than most. I still can’t quite let go of her. It’ll probably kill me, she’ll probably kill me, but what can I say?

(via spanishsahara)

Went over to former supermodel May Andersen and former Jeffrey Deitch superstar Kathy Grayson’s gallery today over on Bowery and Bleecker. May invited me and I’ve been meaning to peek at Lola’s shit so I went and it was a very good idea. Even better in person. Her works was reminiscent of German artist Neo Rauch but younger, more abstract and with less baggage and more love. Walk if you must, run of you can.

Went over to former supermodel May Andersen and former Jeffrey Deitch superstar Kathy Grayson’s gallery today over on Bowery and Bleecker. May invited me and I’ve been meaning to peek at Lola’s shit so I went and it was a very good idea. Even better in person. Her works was reminiscent of German artist Neo Rauch but younger, more abstract and with less baggage and more love. Walk if you must, run of you can.

life:

It has been 30 years today since the AIDS virus was officially recognized.
In November, 1990, LIFE magazine published a photograph of a young man,  David Kirby — his body wasted by AIDS, his gaze locked on something  beyond this world — surrounded by anguished family members as he took  his last breaths. The haunting image of Kirby’s passing (above), taken  by a journalism grad student named Therese Frare, became the one  photograph most identified with the HIV/AIDS epidemic that, by then, had  seen as many as 12 million people infected.
(see more — The Photo That Brought AIDS Home)

life:

It has been 30 years today since the AIDS virus was officially recognized.

In November, 1990, LIFE magazine published a photograph of a young man, David Kirby — his body wasted by AIDS, his gaze locked on something beyond this world — surrounded by anguished family members as he took his last breaths. The haunting image of Kirby’s passing (above), taken by a journalism grad student named Therese Frare, became the one photograph most identified with the HIV/AIDS epidemic that, by then, had seen as many as 12 million people infected.

(see more The Photo That Brought AIDS Home)

brieflynoted:

‘99 Portraits’ Series Creates Occupy Wall Street’s Lasting Legacy. Photographer Steven Greaves wheat-pasted 99 portraits of the 99 percent all over New York City.
See the portraits on GOOD→

brieflynoted:

‘99 Portraits’ Series Creates Occupy Wall Street’s Lasting Legacy. Photographer Steven Greaves wheat-pasted 99 portraits of the 99 percent all over New York City.

See the portraits on GOOD

(Source: good)

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